E-Books at the Library for, by, and about LGBTQ+ People of Color

Recently divorced, Palma, a forty-three-year-old Latina, takes stock of her life when she reconnects with her gangster younger cousin recently released from prison. As she checks out her other options, her sexual obsession with her cous' ignites but their family secrets bring them together in unexpected ways. In this wildly entertaining and sexy novel, Ana Castillo creates a memorable character with a flare for fashion, a longing for family, and a penchant for adventure. Give It to Me is Sex in the City for a Chicana babe who's looking for love in all the wrong places.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship--the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.

New York Times columnist Charles M. Blow mines the compelling poetry of the out-of-time African-American Louisiana town where he grew up -- a place where slavery's legacy felt astonishingly close, reverberating in the elders' stories and in the near-constant wash of violence. Blow's attachment to his mother -- a fiercely driven woman with five sons, brass knuckles in her glove box, a job plucking poultry at a nearby factory, a soon-to-be-ex husband, and a love of newspapers and learning -- cannot protect him from secret abuse at the hands of an older cousin. It's damage that triggers years of anger and searing self-questioning. Finally, Blow escapes to a nearby state university, where he joins a black fraternity after a passage of brutal hazing, and then enters a world of racial and sexual privilege that feels like everything he's ever needed and wanted, until he's called upon, himself, to become the one perpetuating the shocking abuse.

In 2004, college students Eleanor Suzuki and Leena Shah meet in an elevator. Both girls are on the brink of adulthood, each full of possibility and big ideas, and they fall into a whirlwind romance. Years later, Eleanor and Leena collide on the streets of San Francisco. Although grown and changed and each separately partnered, the two find themselves, once again, irresistibly pulled back together.

For the last fifty years, the Colombian drug cartels, various insurgent groups, and the government have fought over the control of the drug traffic, in the process destroying vast stretches of the Amazon, devastating Indian communities, and killing tens of thousands of homesteaders caught in the middle of the conflict. Inspired by these events, Jaime Manrique's sixth novel, Like This Afternoon Forever, weaves in two narratives: the shocking story of a series of murders known internationally as 'the false positives,' and the related story of two gay Catholic priests who become lovers when they meet in the seminary.

Originally written in 1948-49 when John Rechy (City of Night) was 18 years old, Pablo! was never published and has languished in Special Collections at Boston University. An unusual novel, Rechy uses archetypes to explore Mayan myths, beliefs and rituals.

In this novel told in Spanglish, fifteen-year-old Francisca is uprooted from her life in Bogotá, Colombia, and moves with her family to Miami, Florida, where she is ushered into an evangelical church and falls in love with the pastors daughter.

Weeks ago, Andre Cobb received a much-needed liver transplant. He's ready for his life to finally begin, until one night, when he passes out and wakes up somewhere totally unexpected...in 1969, where he connects with a magnetic boy named Michael. And then, just as suddenly as he arrived, he slips back to present-day Boston, where the family of his donor is waiting to explain that his new liver came with a side effect-the ability to time travel. And they've tasked their youngest son, Blake, with teaching Andre how to use his unexpected new gift.

The nine stories in this collection reveal the intimate world of a small community in Puerto Rico joined together by its transgressive sexuality. The writing straddles the shifting line between pure, unadorned storytelling and satire, exploring the sometimes hilarious and sometimes heartbreaking nature of survival in a decidedly cruel world.

Edited by Lázaro Lima and Felice Picano, Ambientes is a revolutionary collection of fiction featuring stories by established authors as well as emerging voices that present a collective portrait of gay, lesbian, bisexual, and transgender experience in America today.

Nilo Cruz is the most produced Cuban American playwright in the United States and was the first dramatist of Hispanic descent to receive the Pulitzer Prize. In his plays, Cruz almost always journeys back to Cuba, even when the play is not set there. Cruz is a sensualist, a conjurer of mysterious voyages and luxuriant landscapes. He is a poetic chronicler, a documentarian of the presence of Latin people in American life. He conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume includes Two Sisters and a Piano, Hortensia and the Museum of Dreams, A Bicycle Country, Lorca in a Green Dress, and the one-act play, Capricho.

Fifteen-year-old Verdad doesn't think she has time for love. She's still struggling to process the recent death of her best friend, Blanca; dealing with the high expectations of her hardworking Puerto Rican mother and the absence of her remarried father; and keeping everyone at a distance. But when she meets Danny, a new guy at school--who happens to be trans--all bets are off. Verdad suddenly has to deal with her mother's disapproval of her relationship with Danny as well as her own prejudices and questions about her identity, and Danny himself, who is comfortable in his skin but keeping plenty of other secrets.

Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world. Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.

A singular and stunning debut novel about the forbidden union between two enslaved young men on a Deep South plantation, the refuge they find in each other, and a betrayal that threatens their existence. Isaiah was Samuel's and Samuel was Isaiah's. That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man--a fellow slave--seeks to gain favor by preaching the master's gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel's love, which was once so simple, is seen as sinful and a clear danger to the plantation's harmony.

In Tamil Nadu, India, a boy named Kalki is born with blue skin. He believes that he is the Hindu god Vishnu and that he can perform miracles. The truth is much darker. As Kalki struggles to extract himself from under the thumb of his controlling father, he must also reconcile with the idea that everything he's ever been told might not be true. When his father drags him on a tour to America, Kalki seizes his chance to explore what life as an ordinary man might be like. Pulled between India and America, and his father's web of control, Kalki must find his true place in the world.

Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence--into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another--and to one another--as we fight to become ourselves. An award-winning poet, Jones has developed a style that's as beautiful as it is powerful--a voice that's by turns a river, a blues, and a nightscape set ablaze.

Baxter's name isn't George. But it's 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he'll have to save up a lot of nickel and dime tips to get there, so he puts up with "George." On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days; their secrets start to leak out and blur with the sleep-deprivation hallucinations Baxter is having. When he finds a naughty postcard of two queer men, Baxter's memories and longings are reawakened; keeping it puts his job in peril, but he can't part with the postcard or his thoughts of Edwin Drew, Porter Instructor.

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Editor Adrienne Maree Brown finds the answer in something she calls 'Pleasure Activism,' a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition the contributors to this volume take up the challenge to rethink the ground rules of activism.

As individuals who historically have faced multiple forms of oppression, queer people of color often find themselves struggling to "fit in." What impact does this have on their sociopolitical involvement within their communities of color? Within the queer community? And to what effect? Based on one of the largest surveys to date of African American, Latina/o, Asian American, and Pacific Islander American LGB people, this book offers a unique angle through which to examine belonging, and its converse, within marginalized communities.

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

Using "Black Lesbian" as a capacious signifier, Mouths of Rain includes writing by Black women who have shared intimate and loving relationships with other women, as well as Black women who see bonding as mutual, Black women who have self-identified as lesbian, Black women who have written about Black Lesbians, and Black women who theorize about and see the word lesbian as a political descriptor that disrupts and critiques capitalism, heterosexism, and heteropatriarchy. Taking its title from a poem by Audre Lorde, Mouths of Rain addresses pervasive issues such as misogynoir and anti-blackness while also attending to love, romance, "coming out," and the erotic.

Drawing on Black intellectual and grassroots organizing traditions, including the Haitian Revolution, the US civil rights movement, and LGBTQ rights and feminist movements, Unapologetic challenges all of us engaged in the social justice struggle to make the movement for Black liberation more radical, more queer, and more feminist. This book provides a vision for how social justice movements can become sharper and more effective through principled struggle, healing justice, and leadership development. It also offers a flexible model of what deeply effective organizing can be, anchored in the Chicago model of activism, which features long-term commitment, cultural sensitivity, creative strategizing, and multiple cross-group alliances. And Unapologetic provides a clear framework for activists committed to building transformative power, encouraging young people to see themselves as visionaries and leaders.

A Xicana Codex of Changing Consciousness features essays and poems by Cherríe L. Moraga, one of the most influential figures in Chicana/o, feminist, queer, and indigenous activism and scholarship. Combining moving personal stories with trenchant political and cultural critique, the writer, activist, teacher, dramatist, mother, daughter, comadre, and lesbian lover looks back on the first ten years of the twenty-first century. She considers decade-defining public events such as 9/11 and the campaign and election of Barack Obama, and she explores socioeconomic, cultural, and political phenomena closer to home, sharing her fears about raising her son amid increasing urban violence and the many forms of dehumanization faced by young men of color. Moraga describes her deepening grief as she loses her mother to Alzheimer's; pays poignant tribute to friends who passed away, including the sculptor Marsha Gómez and the poets Alfred Arteaga, Pat Parker, and Audre Lorde; and offers a heartfelt essay about her personal and political relationship with Gloria Anzaldúa.

In Dark Tears, award-winning Argentinian photographer and performance artist Claudia Jares takes her lens to the reality of queer experience in Argentina, Venezuela, and across Latin America, exploring questions of sexuality, religion, and identity with the raw eroticism that is the hallmark of her style. Here she tells the stories of a number of people struggling to come to terms with their identity in a region that, despite much progress in LGBTQ rights in recent years, still moves to a strongly conservative Christian heartbeat that condemns same-sex relations and reveres the institution of the heteronormative family.

In the latest in a groundbreaking series of beautiful photobooks on LGBTQ communities around the world--from Russia to Mexico to Japan--French-Senegalese photographer Delphine Diallo centers on the voices and lives of older LGBTQ people in the United States, a generation that has been ravaged by the AIDS epidemic but has also been instrumental in extraordinary progress in LGBTQ rights and visibility in this country.

Queer People of Color in Higher Education (QPOC) is a comprehensive work discussing the lived experiences of queer people of color on college campuses. This book will create conversations and provide resources to best support students, faculty, and staff of color who are people of color and identify as LGBTQ. The edited volume covers emerging issues that are affecting higher education around the country. Leading researchers and practitioners have remarkable writing that concisely summarizes current literature while also adding new ways to address issues of injustice related to racism, sexism, homophobia, heterosexism, and transphobia. QPOC in Higher Education insightfully combines research with practical implications on services, systems, campus climate and ways to hostility, violence, and unrest on campuses. This book rises out of places of turmoil and pain and brings attention to broken systems on higher education. QPOC in Higher Education is a must-read for anyone who wants to transform their society, campus, or community into places that fully value the complex and beautiful intersections that our diverse communities come from. This book takes diversity to a deeper level and speaks from a social justice philosophy of looking big pictures at our systems and cultures instead of simply at our oppressed groups as the problems.

In their new, long-awaited collection of essays, Lambda Literary Award-winning writer and longtime disability justice activist and performance artist Leah Lakshmi Piepzna-Samarasinha explores the politics and realities of disability justice, a movement that centres the lives and leadership of sick and disabled queer, trans, Black, and brown people, with knowledge and gifts for all. Leah writes passionately and personally about creating spaces by and for sick and disabled queer people of colour, and creative "collective access" -- access not as a chore but as a collective responsibility and pleasure -- in our communities and political movements. Bringing their survival skills and knowledge from years of cultural and activist work, Piepzna-Samarasinha explores everything from the economics of queer femme emotional labour, to suicide in queer and trans communities, to the nitty-gritty of touring as a sick and disabled queer artist of colour.

The first book to cover the entirety of lesbian, gay, bisexual, and transgender history, from pre-1492 to the present.

Queer Kinship gathers essays written at the intersection of queer theory and kinship theory. While both queer scholars and anthropologists have written accounts of kinship independently, this volume brings together interdisciplinary work from the two fields to consider what queer kinship looks like after marriage equality and in the wake of the 2016 election, and with attention to the centrality of indigeneity, Blackness, race, and colonialism to queer kinship studies. Combining the material interests of the social sciences with queer theory's investment in performance, signification, and the history of sexuality, the essays in this volume push the methodological and theoretical underpinnings of queer theory forward.