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As the music librarian, I am committed to updating and diversifying the repertoire available in the Performing Arts Collection. If you have any suggestions or requests for your area, please contact me at firstname.lastname@example.org.
The Composer Diversity Database allows users to discover almost 4000 composers from underrepresented groups. You can search by composer name, living or deceased, specifically for women or non-binary composers, common large and small ensemble genres, racial, ethnic, or cultural demographics, and by location (city, state, and country).
The Works Diversity Database, featuring wind band and orchestral catalogs created by Christian Michael Folk and the Kassia Art Song catalog compiled by Logan Contreras, allows users to search for individual compositions with numerous search filters from among over 1,600 art songs by women as well as almost 1,400 works for large and small wind ensembles and over 11,000 orchestral works by underrepresented composers. Filters include various ensemble genres, duration, and grade level, as well as composer demographics and location, and the results include instrumentation (when known) and links for rental & purchase as well as audio & video.
The extensive Bibliographic Resources, compiled by Dr. Kendra Leonard, provides scholars with valuable lists of books and articles about women and non-binary composers, composers from underrepresented racial, ethnic, and cultural backgrounds, and LGBTQIAA2+ composers.
... And We Were Heard gives underrepresented composers a platform to have their music heard. Composers that submit works to … And We Were Heard are matched with top-notch
wind bands and engage in collaborative recording sessions. The resulting audio tracks are hosted on the site along with innovative ideas of how to support diverse voices in music.
This webpage houses public domain scores by composers of color. Analytical notes are being made available, while a Google Sheet summarizes music theory topics that can be taught using the repertoire. As a quick and manageable first step towards anti-racist music theory pedagogy, many of the scores on this site are readily adaptable to the classroom environment.
This collection has many contemporary scores, which often reflects a more diverse field of composers than historical music in the canon.
Classical Scores Library is a series of three volumes and contains the most important classical music scores, manuscripts, and previously unpublished material, allowing for the study and analysis of more than 45,000 musical scores. Classical Scores Library, Volumes I, II and III serve as an integral resource for music students and faculty, encompassing all major classical musical genres and time periods from medieval to contemporary. With full, study, piano, and vocal scores, this comprehensive collection will enhance the study of music history, performance, appreciation, and theory for a variety of scholars.
An exceptionally interesting website that organizes concepts of music theory that are often studied. The concepts link to scores, audio files, and downloadable PDF files. There is also a pop-up page for each concept that cross-references other music theory concepts that are in the piece. All the examples of music theory concepts are from music written by women.
The Kassia Database is a resource geared toward aiding singers, instructors of voice, pianists, researchers, and music lovers to discover and celebrate art song by women composers. The database includes songs from the Baroque period through the 21st century, and have been categorized by level, voice type, language, composer, and composer dates. Related information includes range, tessitura, piano accompaniment, vocal line, and links to available scores. The analysis is intended for singers from beginning high school through the collegiate level and professional career. The database leads you to find the unique voices and expansive styles of each individual composer, with the hopes to increase performance and advocation of each woman's often overlooked works.
The International Alliance for Women in Music (IAWM) is an international membership organization of women and men dedicated to fostering and encouraging the activities of women in music, particularly in the areas of musical activity such as composing, performing, and research in which gender discrimination is an historic and ongoing concern. IAWM members engage in efforts to increase the programming of music by female composers, to combat discrimination against female musicians, including as symphony orchestra members, and to include accounts of the contributions of women musicians in university music curricula and textbooks.
The Center for Black Music Research's mission is to illuminate the significant role that black music plays in world culture by ...
* serving as a nexus for all who value black music,
* promoting scholarly thought and knowledge about black music, and
* providing a safe haven for the materials and information that document the black music experience across Africa and the diaspora.
African American Music Reference will contain 50,000 pages of text and 17,000 pages of liner notes that offers the first comprehensive coverage of blues, jazz, spirituals, civil rights songs, slave songs, minstrelsy, rhythm and blues, gospel, and other forms of black American musical expression.
The Wind Repertory Project is a comprehensive database of wind literature, expanded by contributions of band directors/conductors, students, and wind band enthusiasts worldwide. Composers are categorized by specific nationality, but also by groups such as African American Composers, Female Composers, LatinX Composers, and LGBT Composers.
The No Broken Links directories are a starting point for scholars, performers, composers, and teachers to discover solo and chamber repertoire by minority composers for Flute, Oboe, Clarinet, Bassoon, Saxophone, and Horn. The directories focus specifically on the work of womxn, transgender & gender non-conforming individuals, and/or Black, Indigenous, or persons of color.
This website is a working list of the non-idiomatic choral music of black composers. Non-idiomatic, as it relates to black composers, refers to the original concert music that is not part of the traditional idiomatic canon associated with black musicians. That canon includes spirituals, gospel, jazz, hip-hop, and rap among others.
Violinist Gabriela Diaz is updating this database on a weekly basis with contributions from musicians all over the world. This list builds upon the previous work of Rachel Barton Pine and Dr. Megan E. Hill and also includes works catalogued in the Living Black Composers Directory.
Black Grooves is a music review site hosted by the Archives of African American Music & Culture (AAAMC) at Indiana University. Our goal is to promote black music by providing our readers with monthly updates on interesting new releases and quality reissues in all genres─including gospel, blues, jazz, funk, soul, R&B, world music, and hip-hop—as well as classical music composed or performed by black artists.
Now in its third edition, Latin American Classical Composers: A Biographical Dictionary provides a singular English-language resource for biographical information on hundreds of composers from Central and South America and the Hispanic Caribbean. Painstakingly gathered from a wide variety of sources, the information updates and expands previous editions and fills in the gaps left by the other major English-language music dictionaries and encyclopedias. Entries provide biographical data comprising full names, birth and death dates and locations, background, education, and training, as well as selective works lists more than 2,300 composers. An index of composers by country and women composers of Latin America complement the volume. An essential part of any music library, Latin American Classical Composers is an invaluable reference for librarians, musicologists, ethnomusicologists, researchers, and music students.
The few in earlier times who gained some renown were as often as not the sisters, daughters, wives, or muses of well-known men--the surnames of Fanny Mendelssohn and Clara Schumann speak for themselves. Even with the present-day increase in their number, women composers have largely failed to draw the attention of the public.In recognition of these nearly invisible yet greatly talented musicians, Julie Anne Sadie and Rhian Samuel have brought together an international corps of experts to produce The Norton/Grove Dictionary of Women Composers. This definitive source provides detailed biographies of more than 1,000 creators of Western classical music. In signed articles, the Dictionary chronicles the lives and works of women composers from all corners of the world. Here you can read about the Medieval mystic Hildgard von Bingen, the Renaissance madrigalist Maddalena Casulana, the flamboyant seventeenth-century vocal composer Barbara Strozzi, the prolific New Englander Amy Beach, and the Pulitzer Prize winner Ellen Taaffe Zwilich.
Jackson has culminated her lifelong research in producing this bibliographically arranged guide. "Say Can You Deny Me" lists the locations of the printed and manuscript sources of Renaissance, baroque, classic, and some early romantic women composers. With listings from over 400 libraries worldwide, the guide is the definitive work documenting a substantial contribution to the world of music by women.
Women in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Wilson's The Art Song in Latin America-Selected Works by 20th Century Composers includes art songs by 20th-century Latin Americans, including important composers such as Carlos Guastavino (Argentina), Carlos Chávez (Mexico) and Juan Orrego-Salas (Chile). The first anthology of its kind published in the United States, it includes translations, textual transcriptions of the Spanish using International Phonetic Alphabet,and historical and biographical entries for each song. A singer,musicologist, and voice teacher with extensive experience teaching in Latin America as a Fulbright Scholar, Kathleen Wilson understands the need for a practical and accessible source of vocal literature by Latin American composers. As a vocal pedagogue, Wilson has been careful to choose songs that are technically appropriate for young singers and sophisticated enough musically for professionals.
"... a valuable resource for students and teachers, women and men, who wish to enlarge their understanding of women's contributions to classical new music." --Women & Music "... an important collection that should quickly find its way into courses on the music of our century.... This anthology offers a significant step toward our richer understanding of musical expressiveness in the late twentieth century." --Notes The creativity of women in contemporary art, literature, and general culture is well recognized, but their excellence in musical composition remains largely unrecognized. To remedy that oversight, this book brings together scores by 30 composers from around the world in a single, accessible collection encompassing concert and religious music as well as jazz, pop, experimental, and cross-over works. Each piece is introduced by a short biography of the composer, including the formative influences on her life, her role models, the obstacles she encountered, the recognition she has attained, bibliographic references, and discographies.
.."". will enlighten students of music history and serve as a source of programming ideas for performers."" -- Library Journal .."". a significant contribution to the literature about, and the music of, women composers."" -- American Music Teacher
A diverse repertoire of art songs for piano and voice The art song--a delicate and inspiring blend of music and poetry--has been performed by singers and pianists and appreciated by audiences around the world for more than two hundred years. While collections of art songs abound, this welcome volume and its accompanying compact discs make readily available the contributions of contemporary African American composers to the popular genre. Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music. Selected by Jeanine Wagner and Margaret R. Simmons, prolific and celebrated performers who have presented recitals throughout the world featuring the art songs of African American composers, this dazzling new repertoire of twentieth-century music is cogently framed by a thorough introduction and substantial biographies of each composer. The compact discs feature piano tracks of all thirty-nine compositions. The featured composers are H. Leslie Adams, Mable Bailey, Charles S. Brown, Wallace McClain Cheatham, Adolphus Hailstork, Jacqueline B. Hairston, William H. Henderson, Jeraldine Saunders Herbison, Betty Jackson King, William Foster McDaniel, Undine Smith Moore, Byron Motley, Barbara Sherrill, Robert Owens, Nadine Shanti, Frederick Tillis, Dolores White, and Julius P. Williams.
This work represents a comprehensive historical overview of music created by women from the 9th to the 20th century. Each volume features 10-25 complete musical scores or complete movements from multi-movement compositions, many of which have been previously difficult to access. Expert scholars provide original essays about the composers, including biographical information, a discussion of the music in historical content, and critical analysis of each work. Entries also include a bibliography, a list of works by the composer and a discography. This first volume about composers born before 1600, covers music by women of the convent, women of nobility, and the trobaritz (women troubadors). The music is predominantly sacred, vocal and a capella.